A Doll’s House

Ibsen’s 1879 play shocked its first audiences with its radical insights into the social roles of husband and wife. His portrayal of the caged ‘songbird’ in his flawed heroine Nora remains one of the most striking dramatic depictions of the late 19th century woman. This revised edition contains introductory commentary and notes by Sophie Duncan, which offer a contemporary lens on the play’s gender politics and consider seminal productions of the play into the 21st century.